University of Montana School of Business Administration

Class Speaker Schedule

MGMT 195

March 14th: Keith Miller and James Yelich (Topic: The Agency Side of Entertainment)

March 19th: Guy Bingham (Topic: Insiders View of the Sport World and the Relations Between Athletes, Agents and Teams)

April 2nd: Alex Kochen

April 4th: Bob Wagoner (Topic: Venue Management)

April 11th: Mike McGinley (Topic: The Impact of New Media on the Business of Entertainment)

April 18th: Jim Caron (MSLA Children’s Theatre) (Topic: Marketing and Producing Live Performance: An International Context)

April 19th: Spring Thaw Concert - Pink Floyd Experience

April 20th: Spring Thaw – Casino Night

April 23rd: Lou Raiola (Raiola Productions) (Topic: Event and Cause Related Marketing)

April 24th: Spring Thaw – Festival on the Oval

April 25th: Rock Scully (Manager – Grateful Dead) (Topic: The Music Business: Past, Present and Future)

April 30th: Stuart Evey (ESPN-Getty Oil) (Topic: Corporate Social Responsibility and Ethics in the World of Entertainment)

MGMT402/403

March 14th and 15th: Keith Miller and James Yelich (Topic: The Agency Side of Entertainment

April 2nd: Alex Kochan

April 4th: Bob Wagoner (Topic: Venue Management)

April 5th: Jim Kouf, Jerry Molen and Peter Rosten (students from MGMT 195 and media arts have also been invited to attend) (Topic: Developing Ideas, and Pitching and Producing for Film and TV)

April 11th and 12th: Mike McGinley (Topic: The Impact of New Media on the Business of Entertainment)

April 19th: Spring Thaw Concert - Pink Floyd Experience

April 20th: Spring Thaw – Casino Night

April 23rd: Lou Raiola (Raiola Productions) (Topic: Event and Cause Related Marketing)

April 24th: Spring Thaw – Festival on the Oval

April 25th: Steve Anderson (REO Speedwagon) (Topic: Being an Entertainment Entrepreneur on a Global Scale)

April 26th: Rock Scully (Manager – Grateful Dead) (Topic: The Music Business: Past, Present and Future)

April 30th: Stuart Evey (ESPN-Getty Oil) (Topic: Corporate Social Responsibility and Ethics in the World of Entertainment)